What can you offer? What do you need?
Last year, Steph and I took a business planning class for artists. At one session, our facilitator led us through a resources exercise. We went around the room, and each person shared two things: something they could teach and something they wanted to learn. At the end of the exercise, it was clear that as a group we had far more capacity, expertise and opportunity than we realized.
This feels like a moment for some version of the teach/learn exercise. We are all in this boat, and we’re all being tossed around by some pretty formidable seas. How can we help each other? How can we build resilience?
You only get to know what you’re not doing once
I remember the first time I picked up a camera.
It was my dad’s JVC Super VHS camcorder, a clunker by today’s standards but a game-changer at the time. I would sneak it out of the closet when my parents weren’t home and make movies with my best friend. We’d prop the camcorder up on a sofa and act out scenes between our Barbies and homemade popsicle stick people, making up the dialogue as we went along.
A good interview is a good conversation
When I was a newbie journalist, I suffered from a vicious case of imposter syndrome. It affected pretty much every area of my job, from pitching stories (my ideas are not good enough) to writing scripts (everything I put on paper is terrible).
But there was one area in particular that terrified me: interviewing.